Background This study is basic design research of the engineering base to seek the direction of Korean passive house design. The purpose of this study is to present the design direction of housing amenity that meet performance requirements in passive house and comply with the climate in the domestic environment and the lifestyle in conformity with domestic residents. Methods The research process is to leading a review of the advanced studies and then look at the definition of passive house, quantitative performance criteria, design technique, domestic and foreign certification and the relevant laws. The next to consider traditional Korean house that evolved over hundreds of years the environment in the climate of Korea that compared Western Europe on the benchmark criteria for Passive house in terms of solar radiation, humidity, ventilation, In the final, to suggest Korean passive house design direction and a plan direct to be implemented in the context of housing of Korea of the current period Result Passive house design techniques were derived from traditional Korean as follows : The restoration of the heat thermal buffer zone that does not, variable window system, fill or empty of space for the formation of an ascending air current, solar radiation on seasonal and humidity to control the eaves, seasonal natural shading device through a deciduous tree planting. Conclusion Derived in connection with the techniques, the development of modern elements of architecture and systems can apply techniques must be resolved in continued research.

keyword : 패시브하우스, 친환경디자인, 거주쾌적성, Passive house, Ecofreindly design, Residential amenity

Background In this research, the special style characteristics of the formative theories and the works of art of the meisters who had been active by centering on the Bauhaus Weaving Workshop were considered. And the research took place regarding how such special characteristics have been reinterpreted and expressed in the modern fashion designs. Method The artistic tendencies and the works of art materials of the meisters of the Bauhaus Weaving Workshop and the modern fashion designers were investigated and analyzed through the literature investigations and the Internet materials investigations. Results First, regarding the special work of art characteristics of the Bauhaus Weaving Workshop, the pure painting style was introduced to the textile designs. Second, there were the experimental attempts regarding the new matieres. Third, they were found in the grid forms. Fourth, the new designs were developed through the researches on the textiles and the patterns of Africa and Latin America. Fifth, with regard to the original form textile production for the mass production of the industry, the integration of the technologies and art were materialized. As a result of such tasks, the Bauhau textiles became more public gradually. Sixth, the original form textiles for use with the industry were designed so that they can have the very close relationship with the architecture, the textiles of which the function as an element of the indoor decoration has been emphasized were designed. Conclusion Such task performances of the Bauhaus Weaving Workshop became a source for the inspirations of the modern fashion designers who are thirsty for the new inspirations.

keyword : 바우하우스, 직물공방, 현대패션디자인, Bauhaus, Weaving workshop, modern fashion

Background The use of traditional elements in contemporary jewelry design has been widely discussed previously but the attention to the postmodernism`s effects have increased just recently. Ethnic style jewelry brings diversity to a world of design, tolerance of ambiguity, mixing of styles, and acceptance of innovation and change which are distinct to modernism forms. Such effects are thought to be a result of changes in the consumers` values for their own lifestyles. Methods In the world of design, consumer preferences and ideas on creative design should be reflected. Design is about putting aesthetics in a particular item and by aesthetics it signifies the cultural artistic element. In the modern world, it is not sufficient to compete only with cost benefits or functional elements. Both economical and esthetical aspects should be considered in order to satisfy a wide range of consumers` needs. The selection of traditional elements with new approach to jewelry design and the utilization capacity is necessary to become a world famous design. Result This study was able to draw on the fact that it is possible for the Shilla Dynasty Gold Crown to be a design subject which would satisfy consumers in the modern generation with a large variety of tastes. Furthermore, ethnic jewelry can be used for new jewelry design in the future. A framework in bringing the new spotlight to Shilla Dynasty Gold Crown was established through redesigning jewelry to fit modern preferences. Conclusion In the future, the jewelry design should not only emphasize its formative characteristics, but also allow spiritual consensus.

keyword : 에스닉주얼리, 신라왕관, 주얼리디자인, Ethnic jewelry, Shilla dynasty crown, Jewelry design

Background The use of traditional elements in contemporary jewelry design has been widely discussed previously but the attention to the postmodernism`s effects have increased just recently. Ethnic style jewelry brings diversity to a world of design, tolerance of ambiguity, mixing of styles, and acceptance of innovation and change which are distinct to modernism forms. Such effects are thought to be a result of changes in the consumers` values for their own lifestyles. Methods In the world of design, consumer preferences and ideas on creative design should be reflected. Design is about putting aesthetics in a particular item and by aesthetics it signifies the cultural artistic element. In the modern world, it is not sufficient to compete only with cost benefits or functional elements. Both economical and esthetical aspects should be considered in order to satisfy a wide range of consumers` needs. The selection of traditional elements with new approach to jewelry design and the utilization capacity is necessary to become a world famous design. Result This study was able to draw on the fact that it is possible for the Shilla Dynasty Gold Crown to be a design subject which would satisfy consumers in the modern generation with a large variety of tastes. Furthermore, ethnic jewelry can be used for new jewelry design in the future. A framework in bringing the new spotlight to Shilla Dynasty Gold Crown was established through redesigning jewelry to fit modern preferences. Conclusion In the future, the jewelry design should not only emphasize its formative characteristics, but also allow spiritual consensus.

keyword : 에스닉주얼리, 신라왕관, 주얼리디자인, Ethnic jewelry, Shilla dynasty crown, Jewelry design

Background Olympic poster designs are important media to promote the games, provide information, and publicize the culture and art of the host country to Olympic game participants and audience. This study thus set out to review the functions, roles, and changing processes of Olympic posters and investigate the elements that should be reflected in the topic selection and content organization of poster design, the designs of high preference and attention, and their factors. Methods The study examined the functions, roles and changing processes of Olympic posters in the literature and analyzed the topic selection, content organization, and design preference and attention of Olympic poster designs through a survey. Result The analysis results of previous Olympic games identified four major characteristics including the high percentage of posters whose motives were people(such as players), the official emblems of the games, and the landscapes of host country or city. The survey results indicate that the public placed importance on the promotion of games and the Olympic spirit as the elements of topics and content organization that should be taken into consideration in the design process of Olympic posters. Conclusion The findings suggest that it will be desirable to focus on the promotion of games including the information about the host country and year and the Olympic spirit when selecting a topic and organizing content for an Olympic poster design. It will be efficient for the preference and attention of the public to make great use of ①simple formative elements, ②colors of high chroma, and ③official emblems of the games in Olympic poster designs.

keyword : 올림픽, 포스터, 디자인, Olympic, Poster, Design

Background Along with the changing life styles in modern society, the newest fashion trend of wearing lounge wear as casual wear has become popular. This work is intended to suggest a sensible lounge wear with differentiated design by using the swastika shape 卍, which means a good omen. Methods As research method, theoretical examination on lounge wear and swastika shape was carried out and preference survey was followed about lounge wear item and swastika motif, and the results of which were reflected on development of design. Some basic motifs and patterns through modification of shape 卍 were made with Adobe Illustrator CS6 in the process of design development and they were finally applied to lounge wear. Result Basic concept was set as `Healing Home & Happy Girl` for females in the 20s seeking for a sensible life style, thus leading to presentation of comfortable and realization of sophisticated fashion image. In color, the preference survey about color tone and the color trend from 2016 Pantone were referenced. Designing processes are as follows. First, the pajama style, which has the highest preference in night wears, was constructed as upper-and-lower clothing set of box silhouette and the placid and comfortable image was given with adoption of colors and patterns applied in basic motif. Second, the casual style was constructed with long sleeved and short sleeved T-shirts with a round neckline, easy pants, and skirts with a reflection of item preferences so that items could be coordinated. Third, the sportive style was combined with sleeveless top and knee-high leggings, where both the upper and the lower were dissected in their clothing areas and different colors were used in them. This made it possible to give a dynamic image in design. One-point graphic image was also used for design with application of pattern and basic motif. Conclusion The studies conducted so far have identified an infinite potential for further development of the shape of the swastika as a motive for creative design. In addition, the proposition of differentiated designs of lounge wear decorated with the shape of swastika was estimated to be significant in that it reflects the recent trend of fashion.

keyword : 만자문, 라운지 웨어, 패턴 디자인, Swastika Shape, Lounge Wear, Pattern Design

Background In all of human history, the meaning of `ornament` has been expressed and translated in various ways in almost every visual field by people with various jobs, including craftsmen, artists, masters, architects and designers. However, in contrast to its necessity and importance, the meaning of “ornament” has been often neglected. And its value frequently devalued. Also, such topics as the reason why the concept of ornament, which are absolutely required in craft, have not been treated properly as art but have been regarded as a part of craft. The meaning of `being ornamental` in craft still has a negative aspect and has been considered to be inferior at the time when craft has independently established in the world of art. The artistic and aesthetic possibilities and basis of ornament will be looked at through this study. The purpose of this study is to establish and reevaluate the content of ornament, based on convention of ornament and research of content in Arts and Crafts. In addition, the research marks the importance of decoration on the audience through looking at artistic and esthetic possibility and the origin of ornament from the point of view of Arts and Crafts. At the result, the study will extend the meaning and value of ornament in Arts and Crafts after researching its formality and contents which could be applied in Arts and Crafts. Methods In order to do this, I set up a range and kinds of ornament based on how the people currently think about Arts and Crafts. I will find out how the ornament relates to other resource in Arts and Crafts in order to apply the suggestion to the current Arts and Crafts. After discussing the reason why people started to use ornament in the beginning of human history and the time when ornament was treated deeply with an academic value in western art history or painting, I write about what features and kinds of ornaments could be apply in the field of metal craft. Then this will be looked at in related trends or movements, the value, importance and characteristics of ornament in craft together with craft as an ornament. Result This study emphasizes the importance of ornament in craft while distinguishing among art and the kind of art or skill which is practical or entertaining in order to provide such two fields as art and non-art or pure art and applied art. This study also focuses on the related value ratings, bringing up the issue of whether it is appropriate to devalue and consider art that contains anything other than the conditions of western art, which have been set by the critics of western art and include practicality, amusement, popularity or marketability, to be cheap or inferior. However, the process of bringing up that issue is not the purpose of this study. Conclusion Ultimately, this study will help those people either creating or using craftwork to recognize the importance of ornamental art (activity) and provide artistic and aesthetic possibility. Based on the result of the study, in the process of producing or judging the value of the craftwork which is highly valued by more people as being excellent and providing an aesthetic impression, the result shows that how ornament will be valued and plays a significant role, providing an aesthetic impression in craftwork.

keyword : 공예, 금속공예, 장식, Craft, Metals and Jewlery, Ornamentation

Background The purpose of this study is to identify the structural relations among nail artist`s expertise, communi cative competence, customer trust, procedure value gratificat ion and customer satisfaction. By dealing with relations of variables of them, it has a great significance to determine their integrated relations far more than the ones in the previous studies. Based on the results of the study, this intends to help not only develop nail artists` professional qualification but improve their skills to effectively cope with various needs of their customers, and thus to establish proper strategies to manage their nail salons and strengthen the competitiveness. Methods A survey was carried out targeting 737 women experienced at nail-beaty treatment services in their 20s through 50s who live in Seoul-Gyeonggi, Busan-Gyeongnam, and Daegu-Gyeongbuk areas. The collected data was analyzed using SPSS 23.0 and AMOS 23.0. Result Between variables, it turns out to be direct and indire ct effect on each other. Conclusion First, expertise, his or her communicative compete nce, customer trust and procedure value gratification had direct effects on customer satisfaction. Second, expertise, his or her communicative competence and customer trust affected procedure value gratification directly. Third, expertise and communicative competence had direct impacts on customer trust Fourth, expertise and communicative competence influenced customer satisfaction through customer trust and procedure value gratification in an indirect manner, and consumer trust exercised an indirect influence on consumer satisfaction through procedure value gratification. Fifth, expertise and communicative competence indirectly affected procedure value gratification through customer trust.

keyword : 전문성, 커뮤니케이션능력, 고객만족도, expertise, communicative competence, customer satisf action

Background In the development of technology, the surface of the representation of the graphic design is by repeating the process of fundamental change. Contemporary graphic design, which developed into international typography style in the grid norms, which is a product of modernism, began to appear in the present. Thus, if to dream of a departure from the traditional norm called grid, the struggle has been exposed in a variety of representations. As a result, the collapse of the form by the deconstructive expression and de grid and post-modern remarkably appeared. Methods Fella, as one of the representative person who represents these forms well strived to the study of the establishment of design identity, which is based on a result creation and aesthetics of deconstructive expression. Therefore, the researcher, based on the French modern philosophy aesthetics, considers the graph algorithms of Fella, which are pulling the whole world of graphic design community and line of graphic design education, examining the impact of the modern graphic design. Fella`s graphics forms have been the basis of the deconstructive aesthetics principle. And, the expression of his consciousness imagination has aroused a new homework to a lot of designers. Result More than to research freely and resist, this is to the designers, is a matrix to re-constructed for the future-oriented role of design. Drifting from the edge of the current era to the era of post-modernism and regulations flows into uncertain times, but looking at the aesthetic aspects of graphic design also shows the various aspects represented as one of the genre. Conclusion In this study, looking at the flow of the modern Graphism and the future of graphic design in the development of graphic design through the consciousness imagination of Fella, through more than the study of the presentation aspect, the primary objective is to link a comprehensive aspect.

keyword : Automatism, Subconsciousness, Creativity

Background Beauty service industry has developed in the form of high-tech knowledge industry around advanced countries. However, it is still in the form of conventional industry of traditional personal service industry on a number of points. Companies are becoming larger, focusing on some companies. And in particular, a gap is widening according to size, as cosmetology-related franchise is expanding. Among beauty salons, the percentage of beauty franchises is only 1.3%. However, they account for 24% of market share (Youngae Park, 2015). With regard to Korean beauty salons, about 96% of all businesses have 4 or less staff members. And small self-employed businesses take the central place. The actual condition is that the competitiveness of industry is weak. Most of businesses belonging to beauty service industry take much interest in customers, but don`t pay as much attention to employees as to customers yet. Hence, this study is intended to examine constructive relations of beauty salon employees` communication satisfaction, organizational justice, interpersonal relationship stress and organizational effectiveness so as to give help with the development of beauty service industry by efficiently managing human resources and suggesting a correct strategic direction in this regard in case of intending to manage beauty service industry highly dependent on human resources in terms of skills and service. Methods 673 employees of beauty salons in Daegu·Gyeongbuk province have been surveyed from 17 August 2015 to 23 September 2015. And an analysis was made by using SPSS 23.0 and AMOS 23.0. Results It was shown that there was a direct effect between variables. Conclusions First, it was shown that beauty salon employees` communication satisfaction, organizational justice and interpersonal relationship stress had a direct effect on organizational effectiveness. Second, it was shown that beauty salon employees` communication satisfaction and organizational justice had a direct effect on interpersonal relationship stress. Third, it was shown that communication satisfaction had a direct effect on organizational justice.

keyword : 미용종사자, 조직공정성, 조직유효성, Beauty Salon Employees`, Organizational justice, Organizational effectiveness