Background The aging problem of the elderly is attracting people's attention as the background of the development of an aging society. the concept of Aging in place is used in many countries, which means that the elderly are encouraged to spend their retirement in their residences, and the community of apartments inhabited by the elderly is emerging as a major space for old life. Methods Based on the concept and classification of community facilities and the concept of aging in place by analyzing leisure activities and desires of the elderly through prior research, the layout of community facilities should satisfy the needs of the elderly. Result The apartment community is a space where everyone lives together, and the needs change greatly depending on the physical characteristics of the elderly. Community facilities shall be located to ensure safety, health, convenience, aesthetics and sociality. According to this analysis frame, a recent case analysis of community facilities in apartments showed that each community was high in terms of aestheticity, followed by convenience, health, social and safety. Conclusion Recently, community facilities in public housing have been relatively aesthetic in combination with the environment and natural environment. In addition, community facilities use intermediate areas of residential space to form various spatial layout structures. However, in terms of safety, the safety management of the elderly was neglected because it did not take into account the characteristics of the behavioral and sensory abilities of the safety management of the elderly was neglected. This study should be a study on the direction of community facility placement by conducting a case analysis of the rest of community facilities and a survey on the satisfaction of the elderly.

keyword : 커뮤니티 시설, 배치, Aging in place, Community Facilities, Arrangement

Background This study started by focusing on the spatiality (artistry) of the white porcelain jars which were always placed in the important places since Joseon Dynasty. The purpose of this study is to re-spotlight on the philosophical value of the white porcelain jar by reinterpreting the external formativeness and internal meaning of the white porcelain jar and to explore the value of the white porcelain jar by identifying the present position of the white porcelain jar in the contemporary ceramics. The contemporary ceramics art is making various attempts for installation of the white porcelain jar as the contemporary art. In response, this study seeks to examine its theoretical background and suggest a formative ceramic artwork by 3D modeling applied with new concepts. Methods The research contents and results were as follows. First, this study examined the relationship between the concept of installation art and contemporary ceramics and studied on expressing the formative properties of the white porcelain jar in 3D modeling based on the existing researches using installation works. Secondly, this study explored the sense of beauty, formativeness, and spatiality of the white porcelain jar found in ‘Ridgeline’ and ‘Zen’ for the fundamental approach to Koreanism and modernity. Result To produce the artwork based on the research approach methods obtained from above processes. Conclusion This study derived the mean line by analyzing a ridgeline, one of the most crucial formative elements in white porcelain jar, and made a white porcelain jar that applies elements of modernity on the Korean identity.

keyword : 문화 정체성, 선, 線, 표상성, Cultural identity, Ridgeline, Representativenss

Background Identify the types and forms of SNS comics, a webtoon serialized based on SNS, a one-person media platform, and analyze the characteristics and limitations of the most active Instatoon. And let's consider the direction SNS toon will go. Methods Classify SNS into 1st, 2nd, and 3rd generation according to the service and interface change method, and identify the image post type for each SNS. After examining representative domestic and foreign works, the differences and limitations of SNS comics are identified. Result Instatoon creates convenient accessibility through hash tags and subscriptions, and even a profit structure through enjoyment, but there are also limitations in genre due to volatility and form due to weak persistence, a readership limited to SNS users, and the risk of not knowing what type of new SNS will appear. have. However, it is necessary to research the creators to compose a restrained story by using the uniqu e horizontal panorama direction and limited space in consideration of the characteristics of SNS image posts. Conclusion If research on the unique direction and story of S NS Toon is conducted and works of various genres are produced, many readers will flow in, creating an ecosystem unique to SNS Toon, which will open up new possibilities. It is expected that in-depth research on the directing and story of SNS Toon will become more active.

keyword : SNS툰, 인스타그램, 인스타툰, SNS comics, Instagram, Instacomics

Background In the era of knowledge information, modern society is newly emerging in real time with visual images and dynamic video media. Color plays an important role in giving symbols and meanings to these visual media and images. Color has been present everywhere in people's daily life and affects many areas of human life. Colors can have an emotional impact on a person not only through their general characteristics, but also through their psychological characteristics. Learning about these colors and understanding their psychological characteristics can suggest a new direction for enamel design. Methods Understand the general concept and characteristics of color, and examine psychological characteristics based on images and symbols of color. Based on the psychological characteristics of various colors, we study the design of enamel jewelry that give healing. Result In the design of enamel, a psychological effect was given by using a design that took advantage of the psychological characteristics of color. By suggesting designs using associations and symbols of various colors, we propose a meaningful enamel jewelry design. Conclusion By applying the psychological characteristics of color in the traditional enamel jewelry design area, it was intended to broaden the basis of the use of ornaments to the psychological realm. Busy modern people live under a lot of stress and emotional pain. For these modern people, enamel jewelry that reflect the psychological meaning of color can give psychological comfort. This study proposes an enamel design of empathy and healing that utilizes color by reflecting the psychological characteristics of color in enamel design, and through this, investigates the possibility of enamel jewelry design.

keyword : 색, 심리, 칠보 장신구, Color, Psychology, Enamel Jewelry

Background When developing services for the vulnerable people, it is difficult for users to participate due to physical and mental limitations, so it tends to be provider-oriented. Therefore, this study tried to find out the factors that promote participation in co-design for the physically and cognitively vulnerable people, and to find ways to participate. Methods Based on previous research, the co-design process and tools were developed, applied to the workshop, and the research results were derived through field observation and analysis. Result In order to promote participants' participation in co-design, which the researcher did not consider, it is necessary to minimize the use of tools that require inter-participant evaluation activities, opinions synthesis and coordination activities, and participants' thinking. It is necessary to construct concrete examples of facilitators for participant responses, use of specific and explicit words, and simple principles and behavioral tools. Conclusion In terms of design tools that promote participation in co-design for the physically and cognitively vulnerable, based on 'ease of use' and 'simplification', 'a tool to reflect vulnerability through a participant's preliminary survey,' 'a tool to reflect participant needs', and 'specific explicit 'Use of words' should be considered, and if intervention of a facilitator is not easy, an 'alternative tool' that does not require special competence or coordination of opinions is needed. From the operational aspect, ‘anonymity’, ‘exclusion of evaluation activities between participants’, and ‘description of specific examples of facilitators’ should be considered. In addition, a method should be planned and applied so that the authority of participants in co-design can be maintained through these facilitating factors.

keyword : 코디자인 도구, 취약자 대상 코디자인, 취약자 대상 코디자인 촉진 요소, Co-design tools, Co-design with vulnerable, factors that promote co-design for the vulnerable

Background The purpose of this study started from the fact that students were particularly dissatisfied with the practical classes in the arts and physical education field in most online classes conducted after the outbreak of the covid-19 crisis. This is a common problem in almost all universities, and it shows that professors who have been teaching in the traditional way are having difficulties in the process of changing face-to-face practical classes to online practical classes due to the characteristics of face-to-face practical classes. To solve this problem, in this study, an online class method in the form of a personal project is attempted and the results are presented with the goal of allowing students to experience the same or higher level of practical education than the face-to-face class. Methods In order to solve various problems that occur in the non-contact design practical education process, firstly, interaction-based online teaching and learning strategies will be derived. In addition, by applying the derived strategy to an online class in the form of a personal design project, the interactive teaching and learning strategies and the effectiveness of this teaching method are verified through a customized survey for students taking the relevant practical class at the end of the semester. Result As a result of applying the online interaction strategy derived from the preceding theoretical study to the actual class and conducting it for one semester, it was found that the overall satisfaction of the students was quite high. In addition, it was found that sufficiently meaningful results were obtained in terms of student participation, including attendance rate and assignment submission, and the degree of completion compared to the learning outcomes in the previous year's face-to-face class. Conclusion In the process of non-contact design practice classes applying the interaction-based online teaching and learning strategies presented in this study, students were able to quickly adapt to the non-contact classes without any hesitation through a learning process similar to the traditional face-to-face design practice classes. It was confirmed that it is possible to efficiently and effectively increase the satisfaction of learners in online design practice classes through repeated learning of basic theories and the parallel use of various online media.

keyword : 비대면 교육, 디자인 교육, 실기 교육, Online education, Design education, Design practice

Background Static images in AR-based Picture Books reproduce virtual images through digital devices such as Mobile Phones and Tablet PCs, conveying realistic sensations. This is all due to human infinite desire to perceive through virtual reproduced images without real objects and feel the same sense as real life. Therefore, this work aims to establish a new concept for the sensory domain of the upper structure responsible for image reproduction when the Picture Book of the plane is extended into time and space and the sensory domain of the lower structure related to human emotional psychology. Methods Through theoretical consideration, we examine the concepts of Picture Books and their senses and perceptions and concepts of Augmented Reality as a whole, and identify the dual structure of senses and perceptions. Next, based on theoretical consideration, we establish the concept of two components of Multi-Sensory: Real Sensory, RS and Imitation Sensory, IS, and derive Multi-Sensory analytical frames. Through the analytical frame, I analyze the examples of AR Picture Books, validate them on Multi-Sensory elements, and draw conclusions. Result First, I newly perceived Picture Books extended into time and space and redefined the concept of AR Picture Books. Next, an aspect that should be directed in Picture Books extended into space-time was that the caustic sense responsible for information about Images is immersed through Visual and Auditory expansion. However, the tactile information perceived through digital sensing experienced deficiencies because it was not directly felt by the skin. Conclusion Therefore, I conclude that authenticity should be expressed together in pursuit of complementing emotional aspects such as Sense of Reality, Interaction, and Satisfaction through the physical nature of Paper Books.

keyword : AR 그림책, 다중감각, 진성 & 가성감각, AR Picture Book, Multi-Sensory, Real&Imitation Sensory

Background The growth of untact services in preparation for the new normal era is continuing due to the COVID-19 pandemic. Therefore, as consumers prefer non-face-to-face, consumption of untact products is increasing, but concepts and attributes for the products vary in scope, so that it is urgently needed to come up with a development strategy for creating more effective products in the future by identifying the attributes based on concrete rules for the products. So, this study aimed to not only establish and understand the concept of untact products, but also suggest implications for the development strategy of the products based on the concept through a study on the interaction between products and users in the untact era. Methods First, this study has established guidelines for untact product classification based on the product usability stage out of the user-product interaction stages through literature research. Second, centering on the derived guidelines, it has analyzed contact substitutes as well as the features found through a case study of untact products before and after the COVID-19 outbreak. Third, it has presented a development strategy for each product group clearly identified through the case study. Result untact products are classified into three types: products for direct and indirect use and substitute products for the implementation of unmanned services; most of the products for direct use are the ones that prepare for the spread of the virus after COVID-19 with the most intuitive usability, which have limitations with respect to various applications, so that they need to be continuously observed and studied; the products for indirect use and unmanned services, which combine technology and product, have limitations of complicated usability. Therefore, it has suggested the need for a pre-simulation stage to identify the most convenient intuitive experience, the need for building the intuitive experience customized for a variety of occupation and age groups, etc. as development strategies for untact products being expanded after the COVID-19 outbreak and moreover, it has presented searching for ideas to increase productivity and maximize benefits through the advancement of automation technology to achieve convenience in the use of technology, to reduce costs through governance minimization, and lastly to produce the most simplified drawings to overcome the technical complexity as development strategies for the untact products expanded before the outbreak of COVID-19. Conclusion With the expectation that the untact industry will develop further as the COVID-19 continues for a long time, it is meaningful in that it has presented development strategies according to specific standards and classifications by identifying the current trend of untact products and by deriving concepts and classifications for the products and identifying their attributes through an analysis on the interaction between products and users.

keyword : 언택트, 언택트 제품, 언택트 제품 분류, Untact, Untact product, Untact product classification

Background As the exposure channels of brand to customers is diversified, the key of recent strategy of brand design is focused on utilizing the customer experience to deliver consistent identity for various environment. In line with these changes, the expression way of brand evolves to organic and flexible direction. Consequently, it shall be analyzed objectively which emotion derive the brand experience i.e. customer’s experience to customers by such a flexible identity. Methods To apply the semantic differential method which evaluate the human emotion, survey had been carried out with 25 test sample about 15 emotional adjectives in 7 grades. From the survey, the primary component had been statistically analyzed with SPSS program. Result For the variation of shape’s size, it is evaluated that the interest level is high but the reliability level is low. In contrast for the circle shape with fixed size, reliability level is high but the interest level is low. Both the variation of position and distance component evaluated to have low interest and reliability level. Superposition is evaluated to have low reliability but high interest level. Variation in contrast is evaluated to have high reliability in overall. Conclusion From the result of this study, it is organized the principle method deriving the value of key identity even the future media type and environment are changed. Also, it is expected that the results of this study can be the basis data for development of flexible identity which can derive the consistent value in various form of brand by finding the fundamentals of flexibility for each design element.

keyword : 가변적 아이덴티티, 브랜드, 감성평가, Flexible Identity, Brand, Emotion Analysis