| abstract |
| Background This study started by focusing on the spatiality (artistry) of the white porcelain jars which were always placed in the important places since Joseon Dynasty.
The purpose of this study is to re-spotlight on the philosophical value of the white porcelain jar by reinterpreting the external formativeness and internal meaning of the white porcelain jar and to explore the value of the white porcelain jar by identifying the present position of the white porcelain jar in the contemporary ceramics. The contemporary ceramics art is making various attempts for installation of the white porcelain jar as the contemporary art. In response, this study seeks to examine its theoretical background and suggest a formative ceramic artwork by 3D modeling applied with new concepts.
Methods The research contents and results were as follows. First, this study examined the relationship between the concept of installation art and contemporary ceramics and studied on expressing the formative properties of the white porcelain jar in 3D modeling based on the existing researches using installation works. Secondly, this study explored the sense of beauty, formativeness, and spatiality of the white porcelain jar found in ‘Ridgeline’ and ‘Zen’ for the fundamental approach to Koreanism and modernity.
Result To produce the artwork based on the research approach methods obtained from above processes.
Conclusion This study derived the mean line by analyzing a ridgeline, one of the most crucial formative elements in white porcelain jar, and made a white porcelain jar that applies elements of modernity on the Korean identity. |
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| Key Words |
| 문화 정체성, 선, 線, 표상성, Cultural identity, Ridgeline, Representativenss |
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