Background The entry from industrial society to the information age is accelerating, the culture and values of design and crafts are changing as well as the changes in our daily lives. The creative fusion of digital production technology, art, and crafts opens up endless possibilities for expressing the formative language of a new era. By investigating and researching the characteristics of Dutch designer Laarman's work, this study examines the aspect of contemporary design culture and proposes it as an example of an innovative symbiotic relationship between technology and craft. Methods To understand the historical background, I examined the impact of the development of digital technology, including the First Industrial Revolution, on traditional crafts. I also examined the development of information technology and the meaning of crafts during the Fourth Industrial Revolution, represented by 3D printing. Rahman was a prime example of this, and he examined the artist's philosophy and projects in detail. Result After the Industrial Revolution, the design of simple and geometric shapes developed by modernists is transforming into a fluid and informal shape with the development of digital technology. At the same time, the heyday of the production culture is coming, in which small production spaces are activated and creative ideas are realized. The creative activities of amateur craftsmen, not traditional craftsmanship concepts, are also emerging as a new trend. Laarman's design is a combination of digital production technology that symbolizes a new craft concept, and shows infinite possibilities for creative production that was difficult to realize by hand. Conclusion The present digital age does not make crafts obsolete, but offers new possibilities for both craftsmen and designers. Just as the pioneers of modernism developed an aesthetic inspired by industrial technology, new discourses on the hybrid craft values in the digital age is needed.

keyword : 디지털 제작, 공예, 요리스 라만, Digital making, Crafts, Joris Laarman

Background This study attempted to analyze the lower body shape of 60-69-year-old males using index values based on height and weight, and set up clusters to present the characteristics of each body type. Through this, we would like to present basic data necessary for making ready-to-wear clothes suitable for the lower body of elderly men in 60s. Methods This study analyzed 30 items related to the lower body of the direct measurement data of 142 elderly men aged 60-69 years from the 7th Korean human body size survey data of Size Korea. The SPSS 26.0 program was used for analysis. Result The items related to height, width, circumference, length and weight of elderly men in their 60s all showed significant positive (+) correlation. However, it was found that the thickness item had no significant correlation with height. There was a very high correlation between height and lateral leg length. The lower body shape factor was extracted as the lateral size of the lower body to body weight, the height and length of the lower body to height, and the thickness of the lower body to body weight. The body type was classified into two types: one with a longer lower body compared to height and moderate obesity, and one with shorter lower body compared to height and higher obesity at the abdomen and waist. Conclusion As body shape change increases with aging, it is thought that a study on the pants prototype and size system for elderly men in their 60s should be conducted according to the results of the analysis of the lower body shape. In addition, it is thought that it will be important to analyze the lower body shape and standardize it according to the development of ready-to-wear clothes to improve the fit of the lower body clothing.

keyword : 노년 남성, 하반신 체형, 지수치, Elderly male, Lower body shape, Index

Background The purpose of this study is to create a new leisure space and to design a new leisure cultural service contents by utilizing the unused grass field located in the campus of a University. By discovering the problem of lacking leisure areas under the circumstance of every freshman staying in the dormitory for their first year mandatorily, this study aims to design a new outdoor leisure area and a diverse leisure cultural service from utilizing the unused green space. Methods First, the survey regarding the stress during the life at the dorm, and the opinions of the utilization of the leisure spaces in a University's campus was conducted on 45 students with the experience of living in the campus dormitories. After the survey, according to the user need, The Picnic Project was planned to create unused green spaces into new leisure cultural spaces and design service contents for leisure cultural spaces. Based on the Picnic Project, small experiments and interviews were conducted to analyze whether outdoor leisure activities affect people in relieving stress. Result According to an analysis of survey and interviews through small-scale experiment, it showed that students living in a University's campus dormitory were dissatisfied with the lack of outdoor leisure space and the outdoor activities had a significant impact on stress relief. Conclusion This study contributes to the formation of a new campus culture and future landmarks for students of a University as well as residents of a City, and students of other universities in the future by designing a large unused grass field behind the University’s library into a picnic area. It also proposed a way to expand into a local outdoor leisure space by establishing itself as a continuous leisure culture for residents and the University students.

keyword : 회복환경, 녹지 공간 활용, 서비스 디자인, Restorative Environments, Green Space, Service Design

Background Social robots, whose primary purpose is to interact with humans and social functions, are the main research subjects on human likeness. We tried to figure out the human likeness of robots based on the personality image, one of the characteristics of humans to derive more advanced characteristics in the design and interaction design of social robots. Methods We conducted an online survey on 108 people, and the survey results were analyzed using the SPSS 25.0 program. We analyze data using frequency analysis, factor analysis, ANOVA, and multiple linear regression analysis. Result The robot face types are as follows; The companion role and the emotional support role were the human types. The service support role was the character type. The life support role was the human and character type, and the educational assistant role was the character type. Also, sympathetic personality images were influential in bonding relationships such as companionship, service support, and emotional support. In the case of functional-oriented relationships such as life support and education assistance, the extroverted personality image had an influence. Conclusion As a result, there were differences in the expected face design, personality, and emotional image according to the social robots' role. There were differences in the relationship between the bonded relationship and the function-oriented relationship.

keyword : 소셜 로봇, 성격 이미지, 감성 이미지, Social Robot, Personality, Emotional image

Background Currently, Korean color education lacks a convergent and systematic approach to color, as emotional approaches are emphasized only in art subjects and physical approaches are emphasized in science subjects. Moreover, in groups such as preschool, elementary and secondary schools, where there is little deviation in background knowledge and theoretical basic knowledge in color, there is relatively no difficulty in setting the direction or quality demand level of education, but in related majors of universities and graduate schools, there are so many variations between learners of color education, which makes it difficult for professors to plan and implement education. Under these circumstances, this study aims to draw up the deficiencies and complementary factors for color education in our country and suggest systematic ideas to improve them. Methods The problems with color education in our country were grasped based on research reports presented by relevant institutions and earlier studies, and the revised 2009 and 2015 curriculums were analyzed to find out the state of color education in elementary, middle and high schools and in colleges and graduate schools. To determine awareness of color education that was the major content of the study, 10 graduate students who majored in design and art and who acquired a master's or higher degree were investigated in September and October, 2019, using an inventory that consisted of 14 items that included basic items about experience and detailed open-ended ones which called for additional explanations. Result The findings of the study were as follows: First, the subjects considered learning about color very important because color was an integral element to recognize things and because it was an important thing that could be seen in everything at the same time. Second, they had experience of learning about color in college but they told they didn't have enough experience of taking practical courses. Concerning color theories, they pointed out that current major classes which provided an emotional and abstract understanding should be complemented by more physical and objective theoretical classes. In terms of practical education, they commented that existing education should change into the kind of education that could lead to practical work. Finally, they told it's a shame that the number of classes assigned to a semester(15 or 16 weeks) isn't sufficient enough to bring about such a change, and that many existing courses related to color education aim at preparing for certification acquisition such as that of colorist and eventually are standardized to ensure passing exams. In addition, they perceived that the publication of various related literatures is necessary as many textbooks are books on theories required for becoming a colorist and commentary books on past exam questions. Conclusion There are rapid changes in people's emotional adjectives of looking at the world along with the advancement of scientific technology. Accordingly, a shift into color education that reflects advanced theories and involves various practical work is urgently required. This study is expected to provide some information on the right direction for new color education at this point of time where the change of color education is demanded.

keyword : 색채교육, 색채디자인, 색채, Color education, Color Design, Color

Background Among Korean women's hair ornaments, binyeo, dwikoji, and doeljam have delicate and elegant beauty. They are important cultural heritages of Korea. In particular, applying the aesthetic sensibility of Korean crafts to textile product design can be suggested as one of the important ways to create a competitive design. Methods The types and characteristics of female hair accessories in the Joseon Dynasty were investigated. Based on this, design motifs were developed. Designs and prototypes of scarves and ties were developed suitable for the senior's similar look. Result Based on the formative characteristics of Korean women's hair ornaments, binyeo, dwikoji, and doeljam in the Joseon Dynasty, design motifs faithful to the cultural archetype were developed. In the design, the main points were head part of binyeo and the decoration part of dwikoji, and doeljam and the textile design was developed by applying the layout of one point pattern, all-over pattern, and diagonal pattern in consideration of the characteristics of the long hair ornaments. Utilizing this, the development of scarf and tie products that enable seniors to co-ordinate with a similar look was developed to enable coordination that suits the place and atmosphere. Conclusion Through historical evidence, it is possible to rediscover the beauty of handicrafts used by our ancestors in everyday life. By developing a motif and applying it to modern design, it is possible to develop a design with Korean sensibility that is competitive in the global market.

keyword : 수식, 首飾, 텍스타일 디자인, 스카프, Hair ornament, Textile design, Scarf

Background Traditional villages are the carrier of Chinese traditional culture, which have the significance of historical value and cultural inheritance. In the process of urbanization in China, the historic and cultural significance of traditional villages has declined, even some have disappeared. Therefore, central and local governments at all levels have successively issued policies and regulations to support the protection, development and revitalization of traditional villages. But due to the imbalance of urban and rural resources allocation, there are lots of difficulties for the development of traditional villages. The decay and poverty of traditional villages have constituted a danger for the economic development, social stability and ethnic unity in rural areas. Therefore, it is necessary and urgent to revitalize traditional villages. Methods In this paper, ten traditional villages of five regions in Gansu Province are started with, the field visit is mainly conducted from the overview, distribution, influencing factors and types of traditional villages. In addition, research results of relevant domestic scholars and various document contents of China’s rural revitalization strategy are used for reference to analyze village issues and carry out the comprehensive assessment, then the relevant rural revitalization policy is put forward, so as to strengthen the safety and habitability of traditional villages, reduce the incidence of poverty and improve the living standard of people. Result In view of the diversity of traditional village types in Gansu Province, rural revitalization needs to be analyzed from the following points: first, start from local uniqueness, agricultural and animal husbandry conditions of traditional villages, continuously explore and realize the rural revitalization through the economic development model. Second, from the perspectives of traditional village ecology and human habitat restoration, think about rural revitalization. Third, rely on agricultural technology and industrialization to perform the strategy of rural revitalization. Fourth, reconstruct historic culture of villages and develop cultural industry to realize rural revitalization. Conclusion It is shown that ecological restoration issue is the first to be taken into consideration in rural revitalization of traditional villages in Gansu Province, second is the poverty issue of villagers. The elimination of poverty needs to be supported by the industry, and the development of industry is inseparable form talents, therefore, it is needed to solve the issue of ecology- industry- talent for rural revitalization. It is hoped that this paper can provide useful references for the improvement of rural revitalization level of traditional villages in Gansu Province.

keyword : 농촌진흥, 전통마을, 발전전략, Rural Revitalization, Traditional Village, Development Strategy

Background The process of recognizing the intrinsic meaning by finding the intentions and thematic consciousness included in the textile design pattern is to understand the morphological beauty and discover a series of communication processes about the relationship between the world and the world created by the designer. Therefore, this study began with the premise that a culture established as a result of human-human interaction exists and the symbolic system within it can be expressed as an image. To this end, this study focused on the internal method of expressing the mental among the visual ways of looking at the object in order to reproduce the viewpoint for interpreting the meaning of the subject. And in order to understand the meaning of patterns in textile design, I tried to propose a methodology that interprets formal ideas and changes in form and recognizes the subject and interprets them. Methods Through literature review, the meaning analysis system of textual design as a means of communication is formed into a systematic structure. Result To this end, we explored themes and methods of interpreting the themes based on Erwin Panofsky's Iconography theory, recognizing that the influence of historical facts and cultural rules or customs of the era influences the inherent intrinsic meaning. Also, in order to understand how it affects the formation of motifs, we examined the interpretation methods of Panofsky theory, and found the direction to graft them into the interpretation method of textile design by finding the relationship between them and textile design. Conclusion Through this research process, a methodology for the thematic expression and meaning interpretation of textile design was established.

keyword : 텍스타일 디자인, 의미 해석, 에르빈 파노프스키, Textile Design, Semantic Interpretation, Erwin Panofsky

Background Recently, in the smartphone market, the utilization rate of the new silver generation is increasing, so considering their physical characteristics and information environment, it is necessary to study in order to improve their inconvenience. Therefore, for the new silver age of the main consumer class, the design of smartphone running application UI is proposed. Methods Observe the use of smart phones of the new silver generation, compile the user test list, and export the hidden problems of the new silver generation. A questionnaire survey on Huawei Android smart phone was conducted to evaluate the usability of Huawei. Result There are some problems in the phone application, such as touch error, the function can not be used normally, etc. the contact application program has the editing function of adding and deleting contact information, query function, input method, and so on. There are some problems in the information application, such as editing function, query function, input fragment, button, etc., while the time/alarm clock application has the problems of function setting and button. In phone and time/alarm applications, both need to improve primary learning, while contact information and information processing applications need to improve primary efficiency. Conclusion The result of this study is the research and development of the UI design of the smartphone OS platform in the new silver era as the standard design guideline based on the proposal for smartphone operation improvement in the new silver era.

keyword : 뉴실버세대, 스마트폰, 사용자 인터페이스, New Silver Generattion, Smartphone, User interface Design

Background With the recent emergence of the 4th Industrial Revolution as an important paradigm, not only has users' interest in smart speakers been increasing, but various studies have been conducted on the user experience of voice agents. However, these studies provide knowledge and methods focused on language and voice, or specific situations and users. In this study, I would like to propose design considerations to improve the overall user experience of smart speakers. Methods First, I investigated the existing smart speaker status and prior research on user experience centered on VUI. Based on this, I conducted user research to identify the needs of existing smart speaker users and suggested design considerations to improve user experience. Result I analyzed design considerations based on product case analysis, prior study and user survey, and derived three types: identity integrated design, rich voice dialogue design, complementary modality recruitment. Also, I proposed the application of each element of consideration. Conclusion In this study, I proposed design considerations for improving the user experience of smart speakers, based on product case analysis, VUI-centered user experience prior study and user survey. Also, it is expected that this study can be used to propose smart speaker design concepts according to various user and service characteristics.

keyword : 스마트 스피커, 음성 인터페이스, 사용자 경험, Smart Speaker, Voice User Interface, User Experience