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DOI :     Journal Korea Society of Visual Design Forum , Vol.69, No.0, 83 ~ 93, 2020
Title
A study of Iconography as a way to interpret the meaning of Textile Design
조배문 Baemoon Cho , 한왕모 Wangmo Han
abstract
Background The process of recognizing the intrinsic meaning by finding the intentions and thematic consciousness included in the textile design pattern is to understand the morphological beauty and discover a series of communication processes about the relationship between the world and the world created by the designer. Therefore, this study began with the premise that a culture established as a result of human-human interaction exists and the symbolic system within it can be expressed as an image. To this end, this study focused on the internal method of expressing the mental among the visual ways of looking at the object in order to reproduce the viewpoint for interpreting the meaning of the subject. And in order to understand the meaning of patterns in textile design, I tried to propose a methodology that interprets formal ideas and changes in form and recognizes the subject and interprets them. Methods Through literature review, the meaning analysis system of textual design as a means of communication is formed into a systematic structure. Result To this end, we explored themes and methods of interpreting the themes based on Erwin Panofsky's Iconography theory, recognizing that the influence of historical facts and cultural rules or customs of the era influences the inherent intrinsic meaning. Also, in order to understand how it affects the formation of motifs, we examined the interpretation methods of Panofsky theory, and found the direction to graft them into the interpretation method of textile design by finding the relationship between them and textile design. Conclusion Through this research process, a methodology for the thematic expression and meaning interpretation of textile design was established.
Key Words
텍스타일 디자인, 의미 해석, 에르빈 파노프스키, Textile Design, Semantic Interpretation, Erwin Panofsky
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