| Abstract |
| Since the 16th century, the emergence of the modern society and the boundary between fine art and applied art started to collapse due to the Industrial Revolution after the 19th century. Through the Avant-garde Movement and Bauhaus, Deutscher Werkbund, art has penetrated deeply into every day life. Moreover, modernism design of geometrical shapes expanded human perception with the combination of technology. The revolution of new communication took place with combination of art and technology in cyberspace due to `Technobilder (technical images)` and `Technocodes`. After then, through modern society`s design and communication media, art culture has evolved and the way humans communicate has become vigorous and active.
Currently, with design has presented aesthetic experience and information delivery / offering / storage / distribution while communicating this as a code of life`s certain process. Design within the new medium of the internet has changed the aspects of realities existence.
This study can be creditive to Vilem Flusser`s media theory, where research of design and digital media`s reciprocated advancements are evident. Through Flusser`s historical viewpoint and coding of technical images (Technobilder), a new viewpoint through design has been aesthetically legitimized. Therefore, the design through media can give birth to a creative and the infinite possibilities of art. It should prove valuable as an art medium for the development of human communication. |
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| Key Words |
| 현대성, 디자인, 커뮤니케이션 매체, 빌렘 플루서, Modernity, Design, Communication media, Vilem Flusser |
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