| Abstract |
| Modern art has rapidly changed with advanced scientific technology and through convergence and consilience with other genres including engineering and humanities. Media art which combines art and scientific technology allows artists to apply advanced technology and a variety of media so that they can create multi-layered sensory environment, in which actively participatory viewers are able to have a new cognitive experience by interacting with works. It represents such an intense immersion beyond virtual reality and illusion. However, the illusion and immersion that new media provide are not direct and physical experiences but extreme senses and they are starting to show inclination to seek intensity of technology instead of aesthetic affect. Therefore, now it`s time to try integrated acceptance of the extremes of opposite opinions on media revolution and pay more attention to aesthetic affect which is a bedrock of humans` emotion and expansion of human-oriented cognitive experience.
This study will provide information on technical choice and steps of implementation in producing `MIXIST`, which is a physical computing-employed interactive installation work. `MIXIST` which is developed with a theme of light is an emotional device. This development isn`t about technology which produces and controls light, but about how humans use light through what steps. By giving psychological meaning to light which generally features physical and non-physical phenomena, light in digital media is given an emotional meaning and plays an important role in changing the quality of works. This concept will help address artists inner world and themes. This study aims to technically examine concrete algorithm and present the process of study which designs not only exterior but technical system. |
|
|
| Key Words |
| 미디어아트, 피지컬 컴퓨팅, 아두이노, Media Art, Physical Computing, Arduino |
|
|
 |
|
Full Text