| Abstract |
| Amid the social instability and economic panic of the modern society in the 21st century, the anxiety, fear, and suppression that contemporaries feel are exposed to contradictory life of social policy pursuing welfare.
Therefore, this researcher intended to analyze the poems of Yi Sang who experienced, under the Japanese Colonialism in the 1930s, the life similar to our contemporaries`, and thereby try to find images on the poems from the perspective of expressionism, one of movements in art history. Such a trial was aimed at having a right view on the current time in the social phenomenon causing changes in our visual culture, by exploring the events that were regarded as the past history.
The imaginative unification process of visual expression appearing in anxiety and fear state is not able to be viewed simply as a subjective image of this contemporary researcher.
Yi Sang`s Ogamdo was about aesthetic experience of the new and anxiety about appearance of something strange in the 1930s when, on one hand, his subjectivity of the rational self collapsed, and on the other hand, he was excessively exposed to new civilization. That feeling is similarly found in the current environments, such as the currently excessive development of industries, the remarkable development of science, food shortage, economic depression, natural disaster, infinite competition, depression of people of today, and their morbid stress.
This work was intended to translate the text of Poem No. 1 in Ogamdo written by Yi Sang, and draw images from the perspective of expressionism in the fine arts. In doing so, it can help induce people to read poems actively through visual images of poems and thereby give them flexible thinking power of understanding literature and paintings, and diverse views on the way of looking into the present time. |
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| Key Words |
| 이상, 오감도, 표현주의, Yi Sang, Ogamdo, Expressionism |
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