| Abstract |
| The objectives of this study are to analyze the effect of the element of representation for the motif which focuses on the characteristics of forming shown in artworks on the area of ceramic art, and to reinterpret the artistic and esthetic value after establishing concepts for the pattern and esthetic form of chinoiserie and the concept of formativeness.
As the study methods, the correlating mechanism and esthetic value between the conceptual formative element and the formation characteristics of patterns are analyzed. Identification of meaning of recurring elements and its norm, confirmation of the esthetic influence and verification of the source for appearance of elemental motif centralized on porcelain was carried out to acquire meaning of crossed chinism and chinoiserie.
The chinoiserie motif shown in European Chinism showed chinoiserie preference in Baroque, and had taken a role in formation of new pattern by infusing (Rococo) pattern, thus signifying its possibility as tool for satisfying neo-estheticism. Exotic ideas and thoughts including stories and contents based on Taosim, confucianism and Shamanism in was expressed by balancing realistic and fictional elements and thereby characterized geometric formativeness of Europe.
Chinoiserie motif in modern porcelain figure is confirmed to be originated from metaphysical and physical emotionally like Chinese view of nature, custom and thoughts. The chinoiserie of Europe has the value of flowing in possibility as a tool of creating esthetic sense for new modern forming and recognizing the unity and balance which are the result of combining oriental/western motif with western forming style. |
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| Key Words |
| 모티브, 시누아즈리, 미학적 가치, motif, chinoiserie, esthetic sense |
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