| Abstract |
| In the center book and stationery of the scholars, the ceramic ware·the vase·the pot·the cup etc. appropriately arranged and accorded in between the books in painting of bookshelves. Painting of bookshelves in the Joseon was started to be produced earnestly at the time of Jeongjo in 18th century latter.
This paper tries to divide the various style of the painting of bookshelves in three kind formats. First, it is the bookshelves-style painting of bookshelves which the book and the treasures are put in order well in the bookshelves. The selected painting is 8 width folding screens in Hoam art museum. Second, the curtain-style painting of bookshelves which the curtain comes to hang down, is analyzed. The selected painting is the painting of bookshelves of Jang hanjong. Third, as the array-style painting of bookshelves without the bookshelves, it is selected 8 width folding screens in Tongdo Buddhist temple museum.
Analyzing the type and a feature of ceramics which appear in the painting of bookshelves which classified in the format of 3 kinds is like this and the result synthesized to the cermics which have various the desire and oriental ideology of the people are being put in to know the thing, the aesthetic consciousness which like this ceramics keeps the arrangement possible is with 5 kind the result with afterwords is same.
(1) The classic beauty which prefers the old thing in stationery ceramic (2) The various beauty and the gorgeous beauty which prefers the change of form and color in bottle (3) The magnanimous beauty which is put in the plate and the vase (4) The pragmatic beauty and the composed beauty which is mainly practical in the cup·the pot·the hap (5) The symbolic beauty which contains a strong symbolic characteristic in the different ceramics and the rest of ceramics exists as we know that.
About aesthetic consciousness of the ceramics which are various appears in the painting of bookshelves which is one style of folk painting research the ceramics idea which the Joseon Dynasty period literary person love to approach understands the cultural cord of the ancestors, there is a meaning which a further today tries to grope new ceramics culture with review the old and learn the new. |
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| Key Words |
| 책가도, 심미의식, 포용미, painting of bookshelves, the aesthetic consciousness, the magnanimous beauty |
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