| Abstract |
| Everyone has sentimental memory in respective childhood or time of the past. With the nostalgia on the childhood or past that could not be returned from the difficult situation has the vague expectation on the enrichment of sensitivity to fill the human desire with dreaming and memorizing the splendid past and stimulating the desire in unconsciousness, the there are frequent emergence of renaissance design to look back into the sensitivity of the past. Through the renaissance, for contemporary people who have fear for changes and longing for old things under the complicated social structure, this virtual subject realizes the invisible past in reality to form the subject image of "I" and have the sentimental message delivered to life to find some time of tranquility and find the identity that becomes more blur. The cause of sentiment that grants the value on forgotten existence with the stimulation of nostalgia in the time of youth starts from the desire when having the identity for self expression, and the past sensitivity has not been shared of same time as it re-illuminate in contemporary view but as it reflects me on the instinct to go back on the past time as parent generation want to stimulate the homogeneity as the desire of others becomes my own desire. However, remembering of the past without realizing reality as renaissance is overly emphasized seems like a resurrection to inscribed the past into reality but if it gives uncertainty of time due to the mistaken error, it would rather lose bigger self-ego and causes the failure to adapt in reality that renaissance would be the medium for communication to narrow the gap between generations and realizing the lost reality of the past that cannot be existed in reality. |
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| Key Words |
| 자크 라캉, 복고, 상징적 동일시, Jacques Lacan, reactionary, symbolic- identification |
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