| Abstract |
| The development of visual media not only has changed the representation and the ways of communication, but also has grown up as a primary medium unifying other media. I believe that one must understand how to interpret and see conceptual information between human beings and images in order to communicate efficiently through visual information.
In the film, the opening titles is visual information of implicitness. It is not a simple visual array of different images at all, but is the media and the message endowed with efficiency and sufficiency of the visual language and the visual representation.
Kyle Cooper has established a unique and influential world of his own in the area of the opening titles. He is admired for destroying the mold of traditional metaphysics and transforming the existentialism of title designs with his experimental works.
In conclusion, Kyle Cooper`s works have to be understood as a message not only formed by various visual languages, but also interacted with and responded sensitively to the public.
In this thesis, I am using a definition of the opening titles which refers to both a sign and a message perceived. To conclude, then, Kyle Cooper`s works suggest its abstract principle and direction in order to analyze and apply to the new paradigm in the visual era. |
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| Key Words |
| 카일쿠퍼, 영화타이틀디자인, 오프닝타이틀, Kyle Cooper, film title design, pening title |
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