| Abstract |
| Humans use every sense to experience space. For this, they need synesthesia including spiritual sense. As they interact with space through such diverse senses and perceive space, sensory experience is an essential part of communication.
A technique of exhibition based on interaction between things exhibited and viewers is a new paradigm of exhibition space. In particular, in fish museums which focus on delivery of knowledge and information through things exhibited and education, space representation through sensory experiences is a very important element. Therefore, this study aims to analyse characteristics of space representation for more effective communication between items exhibited and viewers through analysing examples of fish museums as an exhibition space.
For the purpose, this study carried theoretical analyses on concepts and characteristic of senses, and relations between senses and experiences. Then, characteristics of space representation in the museum, changes in methods, and types of sensorial experiences in respect to the exhibition space were examined, based on which examples of fish museums of each region in our country were analysed.
The results of this study were presented as follows:
Reapplied natural environment and symbolic forms of fish were most frequently used in representational plan of space forms, but more diversified types of space is needed. A diorama technique was frequently used for flexible space representation which evokes new senses through various types of repetition and combination. For more effective flexible space representation, multi-dimensional space should be grafted, separated, transformed and overlapped with uses of digital or exhibition media. The aspect of formation in domiciliated space, for the process of direct and indirect, was developed through the manipulated zone, a video and photo zone by symbolized themas of exhibition.
The museum space was produced which that provides hybrid space experiences through complicated combination of diverse senses of media and advanced exhibition techniques were introduced for interactive space representation through connecting virtual space with real space. |
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| Key Words |
| 감각, 체험, 전시디자인, Sensibility, Experience, Exhibition design |
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