| Abstract |
| The influence of digital technology to contemporary art has blurred the boundaries between the individual arts and other fields of studies associated with arts and even with anti-art. In addition, art has also changed the role and function of the parameters for communication by sharing its own circumstance. For these reasons, one media art piece can cause various disputes with various topics and stances. Four topics aroused around the TRAP, a large-scaled kinetic interactive installation exhibited in Seoul for The Creators Project supported by Intel & Vice, are the impossible fantasy of interactivity, contemporary art`s serious complex about the technology, the ironic development of the conceptual art, and the material/immaterial discourse surrounding digital art. |
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| Key Words |
| 미디어아트, 동시대미술, 예술과 기술, Media art, Contemporary art, Art and technology |
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