|
Vol.16, No.0, 83 ~ 93, 2007
|
| Title |
| Hybrid Formative Art Combined with Analogue and Digital Technology - Focused on Works by Jean Tinguely, Rebecca Horn, Bruce Nauman, Rosemarie Trockel - |
| 김동호 Kim Dong Ho |
|
|
|
| Abstract |
| The word "hybrid" was born in the American society of the 1950s, but is now widely being used as a word implying something futuristic which has the characteristics of both the 20th and 21st centuries. In particular, "hybrid` is used frequently to indicate a new thing which is present now and futuristic as well. Therefore, its aspect was investigated by referring to works of some artists who actively produced works from the 1950s to 1990s by combining the concept of hybrid with formative art. The modern art, which began in the early 20th century, progressed quickly and had an effect on the academic arts since the Renaissance. Especially, scientific results during the 17th, 18th and 19th centuries influenced the field of arts. With this trend, scientific results came into a new type of art like the futurism throughout the 1920s and 1930s, and analogue tools spread among most artists throughout the 1940s and 1950s. Particularly, J. Tinguely, R. Horn, B. Nauman, R. Trockel. are the artists who produced works accompanying scientific technology which are new to the existing art forms. These artists works, which included analogue and digital technology instead of thorough handwork, are obviously hybrid. Not only in the 20th but also 21st century, the hybrid formative art will continue to be combined with new scientific trials. |
|
|
| Key Words |
| Hybrid Art, analogue, digital |
|
|
 |
|
Full Text