| Abstract |
| The animation seen by a variety of audiences through various media is the key of visual industry and it makes us have the experience that we could never imagine through the sensuous immersion in the virtual time and space. this study categorized the fields of visual aesthetics for effective visual communication in animations starting from the 1-dimensional field to the 5-dimensional field by its field of expression based on the theory proposed by Herbert Zettle. The study confirmed the role of animation as the visual aesthetics by juxtaposing the elements shown in each field of expression in the viewpoint of visual aesthetics, light and color, two dimensional field(Composition of Camera and Act of Force), three dimensional field(Depth of Image and 3-Dimensional Effect), four dimensional field(Time and Movement) and five dimensional field(Sound - Lines, Sound Effect, Music) with animation. The study also examined the aesthetic environment of animation differentiated from other genres, production background of animation and the circumstances in which the animation is placed. The study on the characteristics of visual expression of animation aesthetics here closely examined the differential and independent visual aesthetics of the animation in the artistic viewpoint rather than abstract and philosophic viewpoint in order to grope for the ways to strengthen the competitiveness of animations as artistic contents through the efficient visual communication in the digital culture and environment. |
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| Key Words |
| Visual Aesthetics, Animation Aesthetics, Digital Animation |
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