| abstract |
| Background In 21st-century design, where individuality, distinctiveness, and aesthetic excess are emphasized, maximalism has emerged as a significant visual culture trend in the formative arts. Defined by decorative richness and bold material fusion, it is characterized by four key elements ―exaggeration, ornamentation, hybridity, and unstructured form―which align with the experimental materiality of contemporary ceramic jewelry. This study examines how these elements manifest in ceramic jewelry and analyzes their aesthetic and design potential.
Methods Through theoretical research and literature analysis, the conceptual and formal foundations of maximalism were examined. This was followed by an analysis of the material properties and fusion techniques in ceramic jewelry. Case studies of selected artists and brands were then classified according to the four identified characteristics, with attention to their formal language and expressive strategies.
Result Contemporary ceramic jewelry reflects the formal characteristics of maximalism through exaggerated forms, intricate handcrafted ornamentation, the fusion of heterogeneous materials, and deconstructed structures, thereby achieving expressive diversity and originality. In particular, the compositional integration of materials such as ceramics, metal, gemstones, pearls, and textiles contributes not only to the aesthetic completeness of the jewelry, but also enhances its wearability and structural stability.
Conclusion This study demonstrates that the formal aesthetics of maximalism serve as a valuable design strategy in ceramic jewelry, supporting both artistic identity and commercial viability. By applying this approach, ceramic jewelry can evolve from a niche craft practice into a broader design field that merges artistry, technical innovation, and market potential. This research suggests a pathway for expanding the identity of ceramic jewelry and contributes to its future growth within the contemporary craft and design industry. |
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| Key Words |
| 도자장신구, 맥시멀리즘, 조형성, Ceramic Jewelry, Maximalism, Formative Aesthetics |
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