| abstract |
| Background An object refers to the existence of a fact or a living organism which has noema as a semantic being that directs an inevitable association. This study examines what bojagi are, what defines them, and the essence of what exists. Therefore, the inherent existence of the unknown value of bojagi from the Joseon Dynasty, which is the proposition of this study, interprets, explains, and investigates the causality of perception and emotional intuition.
Method From an aesthetic perspective, noema has an immanent and ideological existence. The psychologically substantive element that constitutes the consciousness in E. Husserl’s phenomenology establishes this essential perception as the scientific basis of philosophy. This method to aesthetics, along with the understanding of the aesthetic properties of Korean wrapping cloth and formative expression elements possessed by the phenomenality of logical interpretation, forms the basis of the analysis on a noumenon's intentional nature. This is because the convergence axioms of cathect and cathexis as aesthetic values embodied in the Korean wrapping cloth and the existing composition of folklore epitomes or shapes are constructed as existential means.
Results The derived Korean traditional Gyubang culture and esthesis implication of the folklore are embodied in the inner sincerity of inclusiveness and consciousness, the inherent beauty of inclusiveness, such as the attachment of n-dimensional significance of the implicit view of nature, the rational view of nature, and the phenomenal view of the universe. The social characteristics of the aesthetic noema, being the basis of aesthetic value, are the reciprocal relationships between the embodied beauty of the gyubang culture, the enduring beauty of life, the vitality of good, and the act of being non-judgmental.
Conclusion To summarize the research results, this study demonstrates the significance of fact-finding that non modalitat avant-garde of independently significant, playful unit and module transformation, and beyond dimensionality are embedded in the unknown values of Korean beauty. |
|
|
| Key Words |
| 에스테시스, 누메논, 미지, 未知, 가치, Esthesis, Noumenon, Unknown values |
|
|
|
 |
|
Full Text