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DOI :     Journal Korea Society of Visual Design Forum , Vol.64, No.0, 41 ~ 51, 2019
Title
Variety of production techniques for dry-lacquer jewelry utilizing a 3D printer - Based on the design of my works -
김은진 Eun- Jin Kim , 안순주 Soon-joo Ahn
abstract
Background As accessories are not simply used for decorative purposes, but stand out as plastic arts, various kinds of materials have been studied. Furthermore, a revolution for production skills breaks out due to the development of the IT industry. Accordingly, this research aimed to investigate how to converge 3D technology that is a high-tech industry into a traditional technique, ‘dry-lacquer Exsiccata manufacturing technique of lacquer, overcome a limit of slow processes due to handwork, and efficiently manufacture accessories in time and economic terms. This also tried to contribute to a study on unique and innovative design by adding analog features into a digital high-tech technique. Methods This paper aimed to use a 3D printer using CAD software in designing a modeling frame for dry-lacquer exsiccata accessories and varnishing it with basis material. 1) Describe characters and strong and weak points of Gunchill exsiccate and help to understand dry-lacquer exsiccate accessories. Also, suggest reasons why the 3D printer is necessary to converge two techniques. 2) Study design processes through the introduction of the 3D printer into basis material production for dry-lacquer exsiccate. 3) Analyze results of 1) and 2) researches and suggest the best work process. 4) Produce unique and practical dry-lacquer exsiccate accessories based on 1), 2), and 3) researches. Result First, in producing a model for the production of dry-lacquer exsiccate, several details that were quite particular to be made by hand (make a small and detailed acute angle) were designed in much more delicate ways through 3D software. Second, in comparison to handwork by measuring the light weight of dry-lacquer exsiccate that’s a great merit, it figured out that it was possible to make a lighter-weight accessory using a 3D printer. Third, it used to take 10 days or 2 weeks to produce a model of dry-lacquer exsiccate by hand, but it just took one or two days to make it using the 3D printer. Also, it was possible to design the same thing because a computer saved the design. Last, it was assured that the dry-lacquerl exsiccate technique and 3D printer facilitated more delicate and detailed design for aesthetic lacquered accessories in less time than handwork. Conclusion This paper has implemented a significant alternative to satisfy both of arts and products through the production of accessories designed by the convergence of a modern high-tech technique, 3D printer, into a lacquering dry-lacquer exsiccate technique that has been designed only by hand so far. Likewise, as the 3D printer is introduced into our lives as soon as possible, the dry-lacquer exsiccate accessories made by the 3D printer will be researched in more diverse and unique ways further. As a result, there is a hope that the convergence of dry-lacquer exsiccate and a 3D printer will be regarded as one of generic titles and this paper will be a big help to designers who want to make art works using the lacquer and 3D printer.
Key Words
건칠기법, 3D프린터, 장신구, dry-lacquer technique, 3D printer, jewelry
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