| abstract |
| Background Letters and texts are created when human beings have a willingness to express something through a process of thinking in a proactive way. Compared to the spoken language and the pictorial image, the character has the inherent advantage of transferring the universal thinking system to later generations and physically accumulating the information because of the nature of its objective meaning transfer recording system.
Methods In order to overcome the limitation of logical and systematic system of character symbols and to expand the use of characters, The tendency classification, analysis, and complementary relation between text and image, which have experimentally been connected experimentally in the complementary relationship between characters and images which can be considered as projection method of human thought and thought. This paper proposes a way to overcome the limitations of each information delivery system.
Result Characters and images have separately played separate roles as mediators that convey meaning and total narrative separately. There has been an experiment to overcome the limits of the symbolic / directive content transmission of the character itself through the form of concrete poetry and visual poetry, and the formative aesthetic basis for this has been the dislocation that emerged in the early 20th century political / An ideological basis can be found in the avant-garde art history. The areas of language / time / space are summed up so that readers can understand contents simultaneously by auditory, visual and spatial understanding of objects and contents.
Conclusion Characters as unoccupied symbol systems are complementary to the image of representation area, so that the result of expanding the scope of visual perception so that static objects can have visual energy as well as the complex nature of media. |
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| Key Words |
| 시각언어, 상형시구, 동시성, Visual Language, Visual Poetry, Simultaneity |
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