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DOI :     Journal Korea Society of Visual Design Forum , Vol.51, No.0, 29 ~ 41, 2016
Title
A Media Aesthetic Study on the Screen-Interface of Mobile
윤현철 Hyun-chul Yoon
abstract
Background We live in mobile screen society. This study is intended to shed lights on mobile screen-interface and remediation properties and analyze difference from conventional media in perception method. Methods The concept of screen, frame and screen-interface is redefined. And the process of their change is genealogically analyzed. And representation type and composition principle is discussed from the remediation perspective. In addition, the perceptual characteristics of mobile are examined from the mobility and tactile visuality. Result 1)Mobile screen is potentially utilizes all functions of window-frame, boundary and object. 2)Screen-interface is emotional interface, and is an active medium determining human perception method. Besides, 3)It is extension of human body, which provides spectacle experience, augments human senses, and has transparency and opacity at the same time. 4)Mobile remediates conventional media by fidelity, refashion, absorb, aggressive, and borrowing through borderless window, page sliding, augmented reality, VR panorama, multimodal interface, etc. 5)A mobile user is digital flaneur and pays a selective attention. 6)Mobile screen-interface implements telepresence by virtual mobility, and is high in the sense of presence regarding interaction with social actor within medium, psychological engagement, It is here and We are together, social realism, and social richness. 7) The media acceptance type of mobileinterface is tactile visuality. Conclusion A mobile screen-interface, dematerializing digital frame with traits such as object, boundary, window-frame, borrows and remodels the conventional media in various ways as well as remediates and expands the body. It has a potentially interface feature using it alteratively with the hidden condition besides beyond transparent-opaque. It is the smallest screen having dual mobility but also has a media aesthetic property such as simultaneous ubiquitousness, selective immersion, tactile visibility.
Key Words
모바일, 스크린, 프레임, 인터페이스, 재매개, Mobile, Screen, frame, Interface, remediation
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